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A Whistling Woman
A Whistling Woman by A.S. ByattMy rating: 5 of 5 stars
What a fantastic conclusion to this series of books. I remain in awe of Byatt's skill as a writer. The previous books are bookended with glimpses into the future and then settle into a narrative that happened in the past. This book doesn't begin that way, and the reader slowly realizes that this book is taking place in the future that starts and ends the previous three; there's a wonderful moment where Byatt takes you full-circle back to the very beginning book and shows you a moment happening in that future scene from a different perspective. So very well done and makes me believe she had all four books plotted out before she ever put pen to paper for the first.
Again, way too much child harm in this book for my tastes; fortunately, it was not belabored, but still. Too much. If I wasn't already way too invested in this series not to finish it, I would have had serious reservations about doing so.
There's an element of repressed violence throughout the whole thing. Some of the characters have gone to live in what amounts to a religious cult, and the narrative is clearly building to some terrible end. I love that feeling of waiting for the other shoe to drop and wondering exactly what form the terror will take.
The novel is set against the backdrop of the late sixties with students protesting everything from war to institutions of education themselves. It manages to acknowledge the ways in which these protests are ridiculous and meaningless exercises as well as the ways in which they are reasoned arguments for needed change. Byatt also touches on an issue very pertinent today: who should be allowed to speak on a college campus? Should students be able to silence voices with which they disagree?
I absolutely adore that Byatt ends the novel exactly the way she ends Agatha's novel that she reads aloud to Leo and Saskia: right in the thick of things, en medias res, with no true conclusion and everything up in the air, which is as it should be. I don't want Frederica to be neatly concluded with all the threads tied off. That ending is a brilliant piece of craftsmanship.
I highly recommend the Potter Quartet. I want to write like A.S. Byatt when I grow up, but in the interim, I'll settle for reading the original. :)
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I have never read any of her non-fiction before although I'm thinking about doing so as part of my Read Moar project for this summer. Was your dissertation on Iris Murdoch or something else?
I've also got The Shadow of the Sun on my summer reading list, and then I'll have read all Byatt's fiction.
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First of all, thank you for already talking about the Beloved Project of Doom as if it were in the bag. It's very much a thing of the present and will be with me until March next year as things now stand. :) I read her book on Wordsworth and Coleridge as background reading for my chapter on the Romantics and Frankenstein. My whole dissertation is about disability and gender identity (in relation to how cultures deal with contingency) in select works of British and Irish literature and television from early modernity (good ol' Will) to the present day.
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I remember it felt like I would never, ever be finished, but then one day I was, and it took me a long time to figure out how to stop feeling like I was still working on it (the stress, etc). LOL
What a really cool project. What else are you discussing besides Frankenstein?
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On the whole, it's going a lot better than I dared hope at the beginning. You see, right out of the gate I had the sort of RL problems that you have to spend all your time solving, and that dragged on for the better part of a year, so I am a year behind my original schedule. But thankfully, my adviser is a kind man and he has so far considered my first drafts good enough (he always says "you have probably thought of all the stuff you *could* add and the few things you should...so I'll keep my mouth shut" - which tells you a lot about my perfectionist streak, I suppose). And so I am pottering along, trying to keep myself from going down every shiny tangent.
Well, my main argument is that the representation of disabled characters has shifted and broadened over the course of Western modernity and that this roughly correlates with a shift from seeing contingency primarily as something dangerous to seeing it first as an anbiguous and then as a positive resource. And I am offering one possible track through the jungle of literary history:
- William Shakespeare Richard III - kind of obvious, which is why I had to include it (I don't mind since I love Shakespeare - I think not being exposed to him until the tail-end of highschool helps here, judging from the groaning response you get in most general Internet discussions)
- Frankenstein
- Wilkie Collins' The Woman in White (a mid-Victorian Gothic/ sensation novel), which offers a critical commentary on how the madwomen in the attic might be patriarchal creations)
- Lady Chatterley's Lover
- The Holy City by Patrick McCabe an Irish neo-Gothic novel about a mentally ill murderer, whose mental delusions are related to the history of Irish Partition)
- some episodes of Call the Midwife, a recent BBC period drama set in the 1950s and 1960s, which featured pregnant disabled characters/ disabled characters in sexual relationships in recent episodes.
Sorry for keeping this relatively short, but I am very much afraid, I'd talk your ear off otherwise :) Thank you for taking an interest
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I have to admit that I don't know much about disability studies and I'm not familiar with contingency as you're using it here. It sounds like a fascinating project, though, despite my ignorance.
I absolutely love Wilkie Collins. Have you read Dead Secret? One of the protagonists is blind, and a great deal of the narrative focuses on how he handles becoming blind and how his girlfriend/wife helps him to deal with it. I don't know if that would be useful for your project or not, but even if not, it's a hell of a book. I thoroughly enjoy the mystery.