Look at me, reading shit and all

My rating: 4 of 5 stars
I enjoyed this one. I knew a little bit about most of the people discussed in this book (you can't study Victorian literature without knowing bit about Richard Burton or Swinburne or the Rossettis, for example) but only the very superficial. This is a really interesting look at several loosely connected and intersecting groups of people (the pre-Raphaelites, the Cannibal Club, and the Aesthetes) and how their art and lives were focused on their sexual experiences. The book is written much more like creative non-fiction than the usual academic book, so it's incredibly readable. Every now and again, the author uses an awkward turn of phrase or says something in a confusing way or gets out her thesaurus just to remind us that we are reading the work of the erudite, but on the whole, the style is very readable and accessible and the subject matter is deeply interesting.
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My rating: 3 of 5 stars
Not one I'll be rereading. I somehow missed reading this in college and wouldn't have read it now except that I'm teaching it. I know it's an important text, and I'm glad I've read it, but I found it very underwhelming. Also, the almost complete lack of dialogue made reading it fairly tedious.
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What I really remember about DR is Amy Manson who was scary perfect as Lizzie Siddal. https://s-media-cache-ak0.pinimg.com/originals/20/92/f7/2092f7c009d3e246ac03e0e0b3d8afa7.jpg
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YES
He was great on Being Human, too, even if his story (and the show) kind of went really off the rails into a pit of angst. That first season was wonderful.
https://www.youtube.com/watch?v=1pUnL5Sd458
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I just try to forget that he was born the year I graduated from college. ;-)
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Aidan Turner looked like Rossetti looked like in his own mind, I think. ;-)
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I didn't see that series. Is it on Netflix?
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There's two reasons. First, I'm frequently asked to teach a new class I've never taught before, and I have to create a syllabus at the beginning of the semester and I don't have time to read everything for the class before the semester starts. So sometimes I pick something that ends up not being very good or engaging or that I don't think works for whatever reason; I just don't teach that one next time.
Second, and this is what's going on here, frequently works that are important are not my favorite. So Aphra Behn is the first professional woman writer; she's a prolific playwright, and Oronooko is arguably the first (extremely short) novel. So in a class called Literature by Women, she's an obvious choice to teach. I think it's also important to note that I don't necessarily think Oronooko is a bad novel; I just don't like it much. It's very interesting in terms of the colonial lens, discussions of slavery, etc. I just find her writing style tedious; there's another professor out there who just swoons over her style, I'm sure. LOL
I think what a lot of people don't realize is that especially when you have a high teaching load and are often asked to teach a variety of classes, the professor is often just a couple weeks ahead of the students.
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She paved the way for other women to follow. I suspect I would find her plays more enjoyable than Oronooko, but I don't care enough to go find some and see. LOL
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That's very true.
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I think you'll like it when you get around to it. I didn't know much about the personal lives of the people she's writing about so it was more enjoyable for me than it might be for somebody who already knows all these details.
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Good thing I like the job I do have, and that I did land an academic job . . . but sometimes I feel wasted.
Especially as I'm pondering auditing a statistics course. Bloody quantitative research . . .
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I think it'll go over pretty well. Many of my students are very interested in race and all our discussions about that topic (and how race intersects with gender) have gone well.
I agree with you about using contemporary standards. A lot of the stuff I teach in World Lit is stuff I would never read on my own for pleasure because the writing conventions of that time bore me.
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